Dreams and Demons

“We are not always what we seem, and hardly ever what we dream.”
― Peter S. Beagle, The Last Unicorn

Dreams by Duchess Flux via flickr

Dreams by Duchess Flux via flickr

In the first one, the sun is hanging dangerously low in the sky and yet it’s not a very bright day. My family and I are in a pit that has a bit of turquoise water in the back and enough dry land in the front. In the beginning we all stand precariously by the edge and watch. I am carrying Chiru who is delighted by the water. His mother is standing with his father, holding hands. They are both getting into the water. Then we all slowly walk towards the water. We are happy, there is chatter in the air, there are many families who are laughing and throwing handful of water on each other.

Suddenly the water goes back and we don’t suspect anything bad will happen because there isn’t enough water to drown us all. But with a nasty speed, a wave of water lunges at us like an anaconda, hitting us all squarely in the face and back to the edge of the pit. I hold Chiru tightly because he looks scared and it worries me that he’s not crying.

The sky breaks into multiple hues of the strongest purple I have ever seen. There is thunder and everytime it is heard, the purple becomes a shade darker. We all move at once to scurry out when four big boulders come in a menacing speed to kill us. But they all come at the same time, so they get stuck to each other at the top of the pit. It is funny but we don’t laugh. And it must seem darker now because I can only see purple everywhere.

Heaven's gate by Kainet via flickr

Heaven’s gate by Kainet via flickr

I wake up and still in my drowsy state, I try to go back to the dream to rescue myself and the family. Maybe dad has organised vehicles or a plane. Mintu is bound to get lost. We must make sure to hold each other’s hands.

***

In the next, I am watching a film but soon, I am inside the film. It is Golden Star Ganesh’s hit film – (not mungaru male) and has Sonu Nigam singing. The heroine has left him in my dream also (!) and he is singing mournfully. Flashback – goondas have kidnapped her and we are all on some hill. I am waiting for Ganesh to come save her but just when he has arrived, goondas cover her mouth and take her inside. Suddenly I am flung back and I wonder if I can rescue her if I throw snakes on the goondas. All around me are big anacondas. Bigger than the ones I have seen in films, bigger than anything I have seen. They seem brilliantly alive and yet they are muted, like someone said statue to them or something.

***

In the next, I am a boy and I am waiting to make out with my girlfriend. She is wearing a hot pink top and a black skirt (something that I have always wanted to wear) but I am a good boyfriend so I am waiting to drop her back home on time. But she wants to do me and keeps telling me that her curfew is 8:45 pm, not 8:00 so I take her to my home. Suddenly she is not wearing the hot pink top anymore. She is now wearing Aishwarya Rai’s blue fairy tale dress, without the fluffy skirt. It’s shorter and I’m hornier than I’ve ever been. We do the deed quickly and then I go to my computer to finish writing an article that’s due.

Image Credits: Reuters Pictures

Image Credits: Reuters Pictures

I barely finish when she wakes up so I have to take her home. We sneak out and then I wake up.

***

Best way to begin a Sunday.

Lalbagh

Lalbagh has been the cause for many embarrassments in my life. The first time I saw it, I saw it two times but it felt like four. I had no idea there were 4 gates and sitting next to my friend in the bus, I saw the west and east gates in fifteen minutes and asked her if the driver was taking us round and round. Supriya slapped her forehead even as she struggled to keep from laughing rudely in my face.

She explained and I said, ‘oh’. Then I moved on with my life.

Many years later, my then best friend began frequenting Lalbagh. She’d sit there for hours, sometimes the whole day. She’d order from Dominos, eat cheese garlic bread and watch the lake. I never understood what she sought there but she went there every day. Whatever she sought, she must have found abundantly. She tried to get me to enjoy the quiet there and I did enjoy it, but it wasn’t something I wanted too much of. Now that I think about it, Josephine is probably the only woman from my past who knew how to be alone and enjoy it.

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One day in Lalbagh, Josephine and I were sitting on the bench and preparing to leave when suddenly, she grabbed me by the arm and started to whisk me away. ‘Whaaaat’, I moaned. ‘Don’t look back. Whatever you do, do not look back’, she muttered. So I looked back. A man who had been sleeping all evening had woken up and was now pleasuring himself quite ferociously. Like there was no tomorrow. The phrase ‘going to town’ came to mind.

That man effectively ruined our hitherto chaste friendship. We had never talked about bodily things before and suddenly we found it difficult to return to Lalbagh together.

After that unfortunate incident, I forgot all about Lalbagh and it went back to being that part of the road that smells nice when I ride past it. Occasionally, I’d give it a cheerless nod and bookmark it for the future.

***

Today, it rained so I thought why not and swerved right on Siddapura Road to park suddenly in the middle of actual riding. I parked and wondered if I had to pay. There was no counter so I walked on, looking back every now and then and half expecting an old man to come running after me, yelling at me to pay. Nobody came.

When I began looking around, I realised how afraid I am of my own thoughts. Every time a long walk is in the cards, I pack my ipod before anything else and rely too much on music to keep me away from myself. But the only music here was the crunchy footwear sound that I have come to appreciate so much. The after rain footwear on part dry crunch-crunch mud sound, like the sound people in cartoons make when they eat anything.

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The traffic noise seemed to be coming from an approaching city. It was drizzling and it seemed like the trees were making their own noise. Men in smart colored tees were jogging past me with their hoo hoo breathlessness. Somewhere an urdu speaking aunty was instructing her daughter to forget the ball forever if she dropped it into the lake. ‘Gaya tho uthech, bhoolna so’

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The lake became more and more real as I saw the birds near it. The faint traffic noise now seemed to be coming from above. I walked to the Lotus pond and trained my ears to pick up coastal sounds of frogs croaking. One, maybe two and then suddenly nothing. But the trees were having fun and continued making their rustling noise. I was understanding Josephine and began missing her terribly and missed also that outrageous man who molested himself.

It was a good day.

Home

Amma’s yellow nightie makes her face shine. She looks calm when she wears yellow. Except when I am late. Then she is never calm.

When I walk up to my room, one heavy step after another, my brown leather bag slinging morosely over my shoulder, strands of hair getting caught in the strap, I wish she is asleep. But she never is. She only sleeps after she has seen my two-wheeler parked outside. And when she has seen that, she doesn’t even see me. She walks back quietly to her room and I wait to hear the soft thud of her bedroom door closing. It’s only then that I can breathe out. My steps are far more confident when Amma isn’t home. I can breeze in happily through pa’s soft snoring and the slow, dry whizzing of the fan.

One morning I stood on the balcony and watched them go for their daily walk. My parents seem older and weaker when they are walking, especially when they are walking away from me — slowly, like every step counts, their backs slightly bent but quickly straightened after sudden remembering, their bodies – heavy and round, yet their fragile clothes hanging loosely.

Pa in his wrinkled white pajamas, eternally torn under the sleeves, forgotten, worn, taken off and then worn again. The small patch on his glistening bald pate looking smaller and helpless. Ma in her colorful chudidhar, her dupatta carelessly thrown over, so that one half of it is always traling after her loudly.

What were they talking about? I’m sure this and that. Loans, construction, BP tablets, my marriage, thyroid tablets, blood test, my brother’s tuition teacher, my marriage, granny, lunch, my marriage. That day I stood and watched them for a long time. I watched them until my neck could no longer be craned and until the road ended abruptly, rudely.

Like in most homes, we all know when pa is angry. I think Indian homes are built to acknowledge the man’s many moods. The home would shrink and become hot making it unbearable to live in pa’s anger’s aftermath. Even the kitchen smells would withdraw into a corner and there they would stand until it was safe to step out. When I was small, I wished that whenever pa was angry, all the volumes on all the TV’s and radios could just mute themselves. It was just too terrible when he was going to explode and Urmila Matondkar’s Kambakth Ishq was playing obscenely loud. Which meant that that day we were all going to be lectured not just for watching kachda Mtv but also for watching it on that obnoxious volume.

They rarely fight and I can only rememeber this one time that they fought. I learnt that Amma doesn’t cook when they fight. She sleeps the morning off and pa walks all over the house in a haze. His face is calm but his lips are gently pursed and every now and then, a tcha tcha can be heard. His hands run constantly against each other – the fingernails touching, grizzling, moving up and down in one swift motion. Baba Ramdev’s exercise for quick and thick hair growth. It has been over a decade now. No hair, nothing. But pa hasn’t stopped doing it. It’s a habit now. Hair can go to hell.

Pa goes out to buy food on these days.  On the dining table there are 5 newspaper packets — idlis, vadas, sambars and chutneys — all rolling in one think Darshini smell. We’d eat some and save the rest for night.

The next morning when I’d finally see Amma, her eyes would be small and puffy and she wouldn’t linger out of the bedroom for very long. They’d patch up soon and the home would go back to being room temperature again, and all the smells would come out slowly, except that there’d still be a faint trace of the darshini idli chutney smell and this I’d only discover when I’d lock up all the doors and switch off all the lights and tiptoe towards my room. And here the only sound to accompany my dull footsteps would be the bright hum of the fridge.

Kottuncheri

When something is lost at home, Mouma says that we can find it by praying to Goddess Kottuncheri and that when we do find it; we must please her by celebrating our joy.

Kottuncheri, like all rituals has a coconut, a vessel to keep it in, some beetle leaves, and five women. The coconut is made to fit inside the vessel, along with three adjoining beetle leaves. This is then put on a stool. The five women, of any age and size assemble around the stool. And when the eldest woman says start, they start running around the stool, like fire in the mountain, run, run, run. They run and while they run, they must chant loudly, ha – ha – ha – ha and clap their hands.

They do this for five rounds and stop. Mouma says that not all ghosts are evil and that some are even friendly and naughty, like children. These children -type ghosts like hiding objects that we are fond of. But they don’t like being laughed at and so, when we laugh loudly, it embarrasses them and they give up and return what they took from us.

I was 9 when I first saw a Kottuncheri. I didn’t mind not being part of it. I just wanted to watch these women clap their hands and say ha-ha-ha. Watching my mother do this was delightful. I’d never seen her body move around so much and she laughed so animatedly that I was sad when they stopped after the fifth round. I’d often lie and say I’ve lost my report card or my most important tie to be able to watch Kottuncheri. Mouma would sincerely conduct Kottuncheri sessions regardless of how well she knew my lies.

Mouma’s small, old body that I’m too afraid to watch even climb down the stairs hops from one side to another when she does Kottuncheri. Her shoulders sway when she jumps and claps on either side of her body.

Not all things that were lost have been found. But that’s not why they do Kottuncheri, I think. They just do it to clap their hands after a long time and laugh ha-ha-ha.

Mouma

Mouma’s neck is wrinkly like her hands. If I put my hands around her neck, and give it a good squeeze, I imagine I can feel the soft wriggly mass of bloody veins inside. When Mouma uses fair and lovely, she rubs her palms over her face and the film never leaves her. Not even in the evening when she returns home from wherever it is she goes to. She likes body massages and facials so all us sisters have painfully sat through these sessions, rubbing her face with whatever cream we could find, sometimes even using toothpaste on her cheeks, having convinced her that it’s really an imported brand.

When I was small, I’d sneak into her room to look for hidden packets of vibhooti – ones she’d hide just for me – away from mom’s reach. These packets came in varied bright colors – orange, green, blue, pink – made of cheap papery material, but all tiny and folded eloquently. Opening these packets was never fussy in the way that opening packets usually is. The thin layer of vibhooti would sit in an even, rectangular film. I wanted to ravage it and also not because it looked strangely perfect. In no less than two seconds, I’d paste my tongue on the vibhooti and hold it there for a minute. After I was sure that enough of it had been taken in, I’d roll my tongue back and wait for the burnt carbony taste to take over.

After devouring the vibhooti, I’d stand in front of the mirror to adore the white traces left behind. And then my stomach would rumble and I’d feel sick from the ash taste in my mouth.

Mouma’s room always smelled different from the rest of the house. While the rest of the house baked in the warm afternoon sun, her room was never hot.

No matter what time in the day it is, in Mangalore, all houses smell of Dalithoy. When they put ghee into the pan to make Dalithoy, the smell is the strongest in the hall and the doorway. From here it escapes to the neighbours’ house just as their Dalithoy smells come to us. Like this, we all live in one giant Dalithoy pan.

Except in mouma’s room though – where it smelled a little of marie biscuits, vibhooti and mostly other temple smells. A TV and a big tape recorder sat in two different corners of the room. She only switched the TV on in the evenings to watch her serials. And the tape recorder was only used to keep other things on top of it. I was surprised to find out much later that it actually worked.

Mouma’s tirganos (underskirts) were, like the packets of vibhooti, varied bright colors – green, red, and orange. They were all faded and that’s the only item of her clothing that I saw everywhere in her room. Even though she may have owned only three, it always seems like she had more. Her sarees, on the other hand were plenty and yet I remember only the yellow one with the red dots that she wore. This is the saree that I don’t remember being folded at all. It was worn, washed and made to fall in the heap full of freshly washed clothes, where it was picked up from and worn again as if it never left her body.

While it was being washed, she wore a blouse that was too small for her and a tirgano, like a proper Malabar woman. She kept her hair open when she was at home. And when she went out, she wore a phanthi (wig) and coiled all of it into a dignified bun. She stole lipsticks and creams from her daughters and hid all of them somewhere in her room. She stole bras from her grand-daughters that no one knows where she hides. Let alone what she does with them.

My Mouma, my heroine.

Curd Rice with Sugar

My sister falls asleep when she eats food. It’s a rare, humiliating sickness. She’s thin as toothpick and my father says that her clothes wear her and that they look fuller on a hanger. Dinner is usually at 8:00 pm and we gather around the dining table. One by one, we finish and when we take leave, we all secretly look at her plate to take note of how much food there is, so that hours later, when we look again, we can decide how much she ate.

Mother mixes sugar in everything she gives her hoping my sister will eat fast. We’ve made many innovative dishes. Upma with sugar; rice sambar with sugar; rice, fried onion, milk and sugar; dosa, milk and sugar; chapatti, milk and sugar; and the ubiquitous curd rice, also with sugar. One night, she made history.

We started dinner at 8 and finished at 8:30. Titanic was playing on Sony Max so some of us hurried to the living room, leaving my sister behind. Titanic began and we sailed on, Jack and Rose fell in love, ran, did it in the car, the ship sank, Jack died, Rose cried. Three and a half hours later, we switched the lights off and went to the dining room to see my sister fallen asleep on the table, her right hand still in the plate, her palm dotted with dried bits of curd rice, a pool of saliva slowly collecting on one side of her cheek.

Ma started beating her chest — strangely without making noise, dad sat down next to her in all seriousness, observing my sister’s calm, sullen face. They were afraid to startle her. He woke her gently almost expecting her to wake up in horror and scream. She stood up suddenly and looked taken aback at my mother’s obscenity and then took one long, pitiful look at the clock. As if setting her mind to prepare for an exam, she sat at the table again with renewed motivation and took a heavy morsel of curd rice, and dumped it into her mouth.

Swallowing it must’ve been hard considering dad who continued to look at her with all the sympathy in the world while ma was still beating her chest, now with both hands and muttering something about therapy – for her or my sister, I don’t know.

useless

in my mother’s cupboard

there is the smell of naphthalene

that’s only a little stronger than

all the smells of all the houses we have lived in


my former best friend loved me very much

but sometimes she didn’t like the chappals i wore

and this she told me clearly

her long eyelashes now falling, now staying


sometimes i think you don’t like me

but that’s ok because today

i have found the courage to tell myself

that i don’t like you more


today she dropped her brand new i pad

and withdrew into a corner, shaken and dismayed

i picked it up and hugged her warmly in my mind

it’s ok, i told her — suddenly wanting to cry.