Doors

It’s exhausting to occupy two worlds when you know that really, you belong to only one because that’s where you want to be. Home is home only when I don’t have to deal with the fatherliness of boundaries, the anti-elixir of freedom. I wonder now what happens to the body in this fight between the life you want to live and the one you can’t escape.

A week ago I saw that in my mind I live a completely different life from one that is expected out of my body and me at home. Coming back home from work before the pandemic only held the promise of sleep and early morning solitude. It didn’t need me to change who I was before stepping into the house because everyone would already be asleep, except mother whose anger simmered on her eyelids in a half dream-half awake state.

That I had a place to be in every morning for nine years, that I didn’t have to wear another face for work, another for home offered me a kind of freedom I haven’t appreciated enough. It is irritating to write this with what I assume is a cheap xerox copy of freedom, knowing that outside this room, there are people with the original, people who see a completely different life for me, and seem awfully confident that it’s all going to happen, despite me.

I feel like a fraud sometimes, talking and dreaming of freedom with passion and fury – never intense enough to go get it. Sometimes I am able to persuade myself into believing that parental expectation is not free of caste, so I shouldn’t wallow in a helplessness that wasn’t designed by me. Despite that and despite years of knowing and unknowing caste, I continue to be bothered by how unsettling it is to confront that there’s still something I don’t have and will never have. Every day I wonder what it would be like to be the student whose ambitions burn my insides with a fever, to be in homes where marriage is barely mentioned, and dinner is always a table full of charts and maps- making plans to go here, go there for studies, and mornings aren’t battlefields for last night’s unspoken demands.

Stepping outside my room after class last week, I overheard someone say on the phone that getting daughters educated is a mistake, that they shouldn’t be sent to schools because they grow up wanting to do PhD, not wanting to be married. I walked straight back into my room, my legs burning with the desire to run, hands wishing they were now holding the key to the department door while my bedroom door swelled with rage and slammed hard on the other world, the bolt clicking it shut.

Today, I am just grateful for doors. They not only open other worlds for you, they also close.

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My memory of watching Appa read is soaked in the sound of his laughter. I cannot separate the two. He’d have a ಬೀchi (Beechi) book open on his stomach, his back straight, his fingers firm on the spine. When he began laughing, the room had to hold its breath. His belly moving, his body shaking, puffs of air escaping his mouth, he’d explain why he was laughing. There was always a man named Thimma & something ridiculous always happened to him in very Vadivelu-like situations. 

Amma & I’d wait for him to finish & demand more explanation until he gave in & revealed that he was actually laughing because it reminded him of something from his hostel days. About the time when a boy terrified of ghosts refused to pass by the graveyard after they were returning from a late night horror film, and how one of them pointed at a tree and started howling only to watch the boy scream, run & fall, scream, get up, run & fall all the way back to the hostel.

I learnt a lot about pace from watching him read. It never happened that immediately after laughing at a funny bit, he returned with more laughter. There was always time for reflection after a laughing fit, almost as if the book had to use strength to calm him down, rest his bouncing belly, make him pause. Then he’d say mchh & close his eyes for a bit.

Schools can be creatures of Brahmanical impositions. Sanskrit was shoved down throats under the garb of ‘scoring subject’, Kannada was made alien because fears of halegannada (old Kannada) were thrown around, English was desirable, English songs even more so, boy bands were cool even if they had difficult names (Enrique was/is Henry K). 

I pushed myself to mug big words in the dictionary, never quite knowing when to use them. At home, I grew ashamed of all the Kannada books & hid them behind English books with thick, impressive spines, not knowing whom they had to be hidden from. It is not ironic that I teach English for a living today but have returned to Kannada with a fervor – a kind of Sairat. Reading Siddalingaiah helped this return. Watching Big boss Kannada confirmed this. Now when I write in Kannada sometimes, I am pleased that my hand remembers it very well.

I was born into castes that whipped Kannada & Konkani together to produce a gadbad of joys that English will never understand. And yet, a man living all the way in Latin America, in fucking Aracataca who wrote in Spanish, somehow made it to a tattoo on my arm.

Last week, Appa learnt that our thread-wearing neighbour had procured enough newspapers to sell. He went & asked for Deccan Herald with great interest, bought it & also a copy of Kannada Prabha. At home, he threw the DH in a corner & read KP. He did the same thing the next day, & the next. I smiled & felt rescued. Somehow by showing & hiding, we have found our own ways to survive, read, and be taken seriously. 

Inventory

Where did my birthday go?

You woke up feeling a biting change. You used to be more excited by things like this. What’s up? Last evening, you joked with friends about tired knee joints and baldness. Is something catching up with you?

I am beginning to hate my hands. They don’t rest nicely. When I am on my desktop trying to work, my hands are always itching to open new tabs. They are restless to know things I can live without knowing (which movie has Shah Rukh kissed most neck in?)

The worst thing your hands do is take you to Netflix long after you have finished watching season 3 of Crown. What business do you have there, especially after binge is over? What is this compulsion to open 5 tabs at once when all you need to do is send one email?

On my way to lunch today, I thought of Pa and how he has a relationship with movie titles. How pissed he still is with all Shah Rukh films because the titles are mostly about love (Dil Toh Pagal Hai, Kuch Kuch Hota Hai, Dilwale Dulhaniya Le Jayenge, Dil Se)

You should start writing even the little things down – even the ones you are sure you won’t forget, especially the ones you are sure will make a great beginning to your book. They will excite you then leave you. Things are leaving you. You are leaving them too but you have no memory of it. At least not now.

I feel guilty when I use too many words.

There is no shame in using too many words. Use as many as you want. Fill your teeth with words, pour them out on Twitter, Instagram, Facebook, and your blog. What are you afraid of?

I am afraid that it’s not necessary.

Well, it’s not necessary for you to write. Why do you do it then?

That’s different.

If you only want to do things that are necessary then you are living quite badly.

I live alright, even you know that.

Then use words – in excess. All the time. Why feel guilty? What is the point of telling your students that writing must come from a place of shamelessness when you refuse to do it yourself?

Shouldn’t I be less shameless now? I am 31.

Fuck you.

Ok, I get it. I just want to be a different person on some days.

You already are. You were 30 yesterday, you are 31 today, you will be 32 tomorrow.

Fuck you.

Sometimes I wish

Sometimes I wish I had no ambition

So that when I get back home at 8 one evening

and my mother asks me why I’m not married yet

I can tell her –

Tomorrow I will marry.

 

Sometimes I wish I wasn’t someone who likes spending time alone

so that when my father pulls me out of solitude and

demands to know when I will marry

I can tell him

Tomorrow I will marry

 

Sometimes I wish I was already married

So when I come home at 4 in the noon

my husband sighs and says

I love you

-I can say: I love you too

and when he says where is my chai

I can say —

Fuck you bro

 

Sometimes I wish I didn’t like reading and writing

because somewhere

it is costing my mother a lot

to see me alone

having no idea that this is the happiest I have been

and the happiest that I will ever be.

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Home

Amma’s yellow nightie makes her face shine. She looks calm when she wears yellow. Except when I am late. Then she is never calm.

When I walk up to my room, one heavy step after another, my brown leather bag slinging morosely over my shoulder, strands of hair getting caught in the strap, I wish she is asleep. But she never is. She only sleeps after she has seen my two-wheeler parked outside. And when she has seen that, she doesn’t even see me. She walks back quietly to her room and I wait to hear the soft thud of her bedroom door closing. It’s only then that I can breathe out. My steps are far more confident when Amma isn’t home. I can breeze in happily through pa’s soft snoring and the slow, dry whizzing of the fan.

One morning I stood on the balcony and watched them go for their daily walk. My parents seem older and weaker when they are walking, especially when they are walking away from me — slowly, like every step counts, their backs slightly bent but quickly straightened after sudden remembering, their bodies – heavy and round, yet their fragile clothes hanging loosely.

Pa in his wrinkled white pajamas, eternally torn under the sleeves, forgotten, worn, taken off and then worn again. The small patch on his glistening bald pate looking smaller and helpless. Ma in her colorful chudidhar, her dupatta carelessly thrown over, so that one half of it is always traling after her loudly.

What were they talking about? I’m sure this and that. Loans, construction, BP tablets, my marriage, thyroid tablets, blood test, my brother’s tuition teacher, my marriage, granny, lunch, my marriage. That day I stood and watched them for a long time. I watched them until my neck could no longer be craned and until the road ended abruptly, rudely.

Like in most homes, we all know when pa is angry. I think Indian homes are built to acknowledge the man’s many moods. The home would shrink and become hot making it unbearable to live in pa’s anger’s aftermath. Even the kitchen smells would withdraw into a corner and there they would stand until it was safe to step out. When I was small, I wished that whenever pa was angry, all the volumes on all the TV’s and radios could just mute themselves. It was just too terrible when he was going to explode and Urmila Matondkar’s Kambakth Ishq was playing obscenely loud. Which meant that that day we were all going to be lectured not just for watching kachda Mtv but also for watching it on that obnoxious volume.

They rarely fight and I can only rememeber this one time that they fought. I learnt that Amma doesn’t cook when they fight. She sleeps the morning off and pa walks all over the house in a haze. His face is calm but his lips are gently pursed and every now and then, a tcha tcha can be heard. His hands run constantly against each other – the fingernails touching, grizzling, moving up and down in one swift motion. Baba Ramdev’s exercise for quick and thick hair growth. It has been over a decade now. No hair, nothing. But pa hasn’t stopped doing it. It’s a habit now. Hair can go to hell.

Pa goes out to buy food on these days.  On the dining table there are 5 newspaper packets — idlis, vadas, sambars and chutneys — all rolling in one thick Darshini smell. We’d eat some and save the rest for night.

The next morning when I’d finally see Amma, her eyes would be small and puffy and she wouldn’t linger out of the bedroom for very long. They’d patch up soon and the home would go back to being room temperature again, and all the smells would come out slowly, except that there’d still be a faint trace of the darshini idli chutney smell and this I’d only discover when I’d lock up all the doors and switch off all the lights and tiptoe towards my room. And here the only sound to accompany my dull footsteps would be the bright hum of the fridge.

To Georgie

My grandfather had nice, white, round teeth that he removed every night and put in a tumbler of cold water before sleeping. We were only allowed to touch it when it was in his mouth. In the morning when it was all there, my sister and I‘d see him and ask him to smile for us. He’d laugh and my sister and I’d make plans again to wake up extra early the next morning to watch him wear his teeth. As it turned out, no matter how early we woke, it was never early enough to catch him wearing his teeth.

Maybe he never took them off. Maybe he waited for us to leave and put them back on before he slept every night. Either ways, the tumbler he put his teeth in came alive like a new story, only in the night. During the day, it stayed forgotten under the cot it was pushed.

He had the nicest smile. It was always a small smile that lasted no more than 5 seconds regardless of how well one knew him. The corners of his sometimes unshaven mouth would glisten under the heavy spectacles he wore. He had short white hair and soft blue eyes; blue of the Indian old people eye blue- blue; the silvery, agile blue that will stick to your finger if you are ever brave enough to poke the eye.

He lost his vision 5 years before he died and for 5 years, we saw many nurses come and go. The longest he had, stayed for 6 months. She was an unruly sort of a woman who yelled at him when she thought no one was around. She’d sit in the balcony for hours together fighting with her lover on the phone. On days that there was no spat, she was cheerful and sang songs that upset my grandfather.

When ma first told us that he couldn’t see anymore, I wondered what he’d miss seeing the most. The answer was simple. He had had the biggest crush on Preity Zinta. He’d miss seeing her dimples the most.

***

Ajja told us stories of The Ramayana and Mahabharata. In Bhadravathi, where we went every year for Diwali, the cousins and I’d gather around him and listen to the stories. He’d close his eyes, his palms resting evenly on his lap, his white Lux bunian and panche softer and warmer than ironed clothes. He told us stories about poor men who became rich, about greedy men who cut open a hen’s stomach to get golden eggs, about princesses who were sad, about housewives who watered fingernail trees, about crows, monkeys and other animals who fought and became friends again.

We knew the stories by-heart. We knew points in these stories where his voice would dim into whispers and the points where it’d rise into fury. When he narrated Sita’s tragedy, his voice quivered, when he spoke about Hanuman, his voice took charge of his posture, his hands flailing about imitating Hanuman’s. When he spoke about Ram and Lakshman, his voice was demanding and angry but never forceful in a masculine way. His story voice was determinedly and uniformly feminine.

In all the time that I’ve known him, I don’t think my grandfather ever wore creased panches. Dipped in a bucketful of water, I imagine they broke apart and came together like cotton. Not like the bunians he wore – torn here and there in small, bird-bite sized holes, sometimes near the armpit, sometimes near the middle of his chest.

***

In his quieter moments after he lost sight, Ajja would sit by the door, on a chair that was decidedly his in the Veranda, eavesdropping on conversations. At any given point, my grandfather would be the only man in the house to know why the women in the house were fighting. He was never one to dismiss these fights as silly. He took great interest in the things that happened at home. He knew the lazy maids by the shoddy way in which they swept and swabbed the floor. He also knew them by the days they wouldn’t turn up and this he painfully reminded my mother at the end of every month when she handed them their salary. He knew his wife’s moods by the kind of shit she watched on television. He knew not to ask for an extra helping of anything during lunch if the afternoon was still brewing in the warm remains of a morning fight.

When he agreed with the Udaya TV news on any given day, he’d loudly say Bhesh! When he wanted to decry what he watched, he’d shake his head quietly like an animal trying to get rid of flies. In any case, he took the news more personally than his marriage.

***

Ajja

I realized that my grandmother did not talk to my grandfather only after it was pointed to me. For a long time, I was oblivious to their relationship. They seemed like any other old couple. They shrugged and nodded to communicate. She’d bang his breakfast on the table and he’d complain about the food loud enough for everybody to hear. I assumed that that’s how they always were.

I cannot picture them talking to each other, the way my parents do nor can I imagine them in the company of others – laughing and making merry. I learnt much later that what they did and how they went by without talking to each other was something that nobody understood but everyone knew about.

The eldest son my grandparents had was their favourite. When Ajja got his PPF money, Ajji told him to save it so they could buy a house for themselves. He refused to listen to her and gave his eldest son all the money. This, I am told, is the reason why Ajji stopped talking to Ajja and started a cold war that lasted well until his death 4 years ago.

I am also told that Ajja had great love for his wife that he showed only in moments. She was the stone-hearted one, they all say. But I’m inclined to believe that Ajji was well within her rights to be demanding. She is a fiercely independent woman who suffers even to this day from the curse of having far too many men around her.

Ajji’s harshest critic was her younger sister, Sumitramma — A husband- worshipping woman who wouldn’t let a day go by without attempting peace between her sister and brother-in-law.

Many years ago, the sisters and my mother went to watch a Malashree film about a family that is saved by the daughter-in-law. Savior AKA Malashree looks deep into the camera at one point and says something about Mangalya being the biggest swarga for women (Read: husband is heaven, god and all those things)

This is the moment that Sumitramma wisely chose to instruct her sister. Keldiya akka (Did you listen to that?), she asked her sister. Ajji calmly stood up and then walked off to sit seven rows away from Sumitramma. She watched the rest of the film alone. My mother who found the whole thing funny reported this to us with great, strong laughs.

***

From my father, who inherited his father’s baldness, I learnt that Ajja didn’t let him study Hindi in school. This is something that dad continued to hold against him for a long time. But ma thinks he’s far more upset about the baldness.

When they were travelling once – Ajja and my parents – dad told ma to breathe in deeply every time they passed a forest area. Ajja, needless to say, overheard and reported this to Sumitramma. Usradakku helkodtane. He teaches her how to breathe also.

Sumitramma only told him that he is after all, Ajja’s son – loves his wife far too much for his own good. When Ajja heard this, he walked off and never brought it up again.

***

My Beef, Your Beef

I remember how his eyes became really small and seemed to disappear into their sockets when he was going to hit me. This was in 2009. We were at a hotel in Mussoorie eating the breakfast buffet. I had on my plate, a full English breakfast. When he asked me what the lump of red meat on my plate was, I said ‘Bacon’.

Is that pig?’
‘Yes’
‘OK. But sometimes they serve beef also so be careful’
‘It’s OK, I like beef’
-Silence-
‘You eat beef?’
‘Yes’

He looks at my mother who is sitting the way she always does when she knows something terrible is going to happen: her eyes boring into mine, fierce but saying nothing, pleading to stop. He says I have become like Arundhati Roy. I smirk. Two weeks ago, I had found out that Roy and I share the same birth day and I was still celebrating it.

I am just going to say ‘It’s ok, I like Arundhati Roy’, but my Bombay aunt can sense danger from a mile, so she pinches my arm. Now I am mad.

-I don’t want you in my house, he says. Two children are enough for me, I don’t want you.
-Ok. I’ll leave when we get back to Bangalore.

He has stood up, the table has moved back. The waiters have stopped whispering and are looking at us with devotion. I am wondering if they are taking sides. Whose side would they be on if they knew the whole story? I thought. He is leaving the table but before he does, he leans over all the plates and cutlery and my English breakfast to slap me. Mother has stopped him and has begun to pull him away.

I start weeping, my aunt starts patting my back rather rudely. I don’t know if she is trying to console me or taking revenge. My sister looks at me understandingly but there’s so much pity in her eyes that I must look away.

They say family fights make holidays special. I don’t want to slap the person who said this because later I will discover Lorelai Gilmore who said ‘there’s nothing like a family to screw up a family’.

I have a functional/guilt- induced relationship with my father, the same that most women seem to have with theirs. Have I mentioned that I love Freud? I refer to him in all my classes, especially when my students are being smartasses. While we were discussing a movie that I had just shown them, they said that the ending was kind of clichéd because it
rained and everybody was happy.

I said ‘Sigmund Freud said that if it rains at the end of a movie, then it’s a good movie’. They called my bluff but shut up. Since then I use Uncle Freud in all my classes when I have to invent something famous someone once said.

Every year on the 14th of April, my father sits us down to tell us we are what we are because of Ambedkar. It doesn’t matter that he was going to hit me for admitting to having eaten beef. It doesn’t matter that he insists on inviting Brahmins for lunch on all festivals. Because on the 14th of April, my father becomes the lanky Dalit boy that he was in his youth.

My mother recounts his childhood with a pain that I think he has chosen to remember only very rarely. When he studied engineering in Davanagere, he had no money. His father would send him 10 Rs every month. When he ran out of toothpaste, his friends lent him theirs in exchange for labour. He had to complete their record books. This arrangement ran like ration. For every assignment he wrote, he got a blob of toothpaste.

I know very little about his life back then. This was the first story about him I ever heard and the last I ever asked for. When I look at him in sepia photographs, I see him standing tall and thin, smiling widely. The corners around his eyes are always marked with a happiness that is too easy to believe and too far to imagine. My father looks happy in all the photographs. I don’t know how he does it, standing erect like a shirt on hanger, his hands joined behind his back, his eyes focused on the camera, his mouth breaking into a laugh that I remember as his laugh when we watch Tom and Jerry together.

When I ask them how they got married, my mother picks her answer carefully. She is always preparing her daughters for their lives in her answers to us. She came from a poor family, just like dad. One day when she was lighting choola to heat water in the bathroom, she found a photo ad in the newspaper matrimonial section. She had just picked up this bit of the paper to throw into the fire when she stopped. It was his photo. It said fair brides wanted. My mother was a fair bride. She boldly took the photo to her mother who only saw the words Government job next to a black and white photo of my dad and got her daughter ready. And like that they were married.

They were married in a hurry. My father was afraid of losing his fair bride to his mother’s dowry demands, something that my mother’s family couldn’t afford and something that my father wasn’t interested in.
And because he refused the dowry and became a good Indian man, he was cursed well. His mother-in-law visits us every now and then, more now than then and his mother stopped talking to him because of how nice he was to his in-laws and also because the dowry never came.

My mother says that two days into the marriage, she had begun to get very scared. My father would sit looking at ants early in the morning. He would trap one or two ants in a tumbler, look at them like a wild animal on hunt and smile. He would be fascinated by animals and my mother, by him.
I find their marriage very entertaining. Twenty seven years he’s been my father and he still struggles with Konkani much like he struggles with most other languages.

When we went to Munnar once, he was upset because the Tamil driver didn’t know the route and didn’t know Kannada. It always irritates my dad when people don’t know Kannada, especially Tamil people. My mother has tried to reason with him on this but he doesn’t listen. We think it’s because he adores Vadivel and loves watching Tamil movies so much that he hates to admit that he doesn’t even remember which the last good Kannada movie he watched was.

He thrust the phone into the driver’s hands and told him to call the hotel and tell them that we were on our way. The driver looked confused at which point my father barked, “K.S Anand anta sangu” which is a murder of two languages in an attempt to produce one.

His standard reaction to everything is swearing at people regardless of whether they have made him happy or sad. When we first moved into our new house, everything was messed up. Some walls weren’t painted, some switches weren’t working, and so he called the contractor and agonizingly said ‘Spitting spitting on your face, the saliva in my mouth also got over’, which made me wonder what he was more annoyed with – the unfinished work or the dearth of saliva in his mouth.

That was when he was bitterly angry. Most other times when he is cursing, he is also amused. Like this one time when he was driving and lost, we stopped to ask for directions from a man who gave us a clear map of where not to go. After 5 minutes of listening to that man’s elaborate ‘don’t take right, go straight, don’t take left, go straight’, my father put his head out of the window and said ‘Thoo, may someone pour masala dosa on your face’. Or like this other time when our maid Nagamma put his home slippers into the shoe cabinet for the 10th time that week, he ground his teeth and said ‘may cobras bite cobra-woman’s hands’

It made my mother chuckle with disbelief that he would dole out the most unconventional curses even when he was the happiest. Whenever our cook Shobhamma made what according to him was the best chicken saaru, he would say ‘what curry she’s made may her home fall into ruins’

When we went to Europe for 15 days, I was dreading Amsterdam and true to my horror; he hovered behind my sister and I throughout the shopping spree. He let us enter the first -half sections of all the shops where there were weed chewing gums, the second section was tricky – he had raised his eyebrows at the various novelty t-shirts and mannequins that wore things just to show off parts that weren’t covered.

At the third section where there were all manner of Dildos and Vibrators in fascinating colours and sizes that may have confused him about where to put them, he told us to about-turn and we did because we couldn’t keep the giggles inside any longer.